The article discusses the concept of subjective modality. It is proved that subjectivity in the components of objective and subjective-modal meanings serves as a good reason to consider the category of modality as a single systemic macroformation. It is explained that changing ideas about the optional nature of subjective-modal meanings allows one to fruitfully study […]
Ermilova G. G. Province as a spiritual and cultural phenomenon according to the pages of the “Diary of a writer” by F. M. Dostoevsky
The article is devoted to the study of the Russian province, which is important for the “Diary of a writer” by F. M. Dostoevsky, and almost untouched in the scholarly literature. Established is the geography of the province (Minsk, Kiev, Chisinau, Belgrade, Kursk, Kaluga, Moscow, Saint Petersburg, Kazan, and near the village of Maly Prikol […]
Gorelov O. S. Accelerationist and proscrinator strategies of poetic statement: accelerating and slowing the media
The article analyzes the poetic writing strategies in new media. The characteristic of the project of the modern poet V. Bannikov in the context ofa surrealist heritage is proposed. Unlike modern surrealist groups, Bannikov offers an accelerationist version of interaction with the media environment. Recognizing after the surrealists that the media is a means of […]
Smirnov D. G. Symbolic ethos of international relations during the Cold War in cinematographic measurement: to statement of the problem
The article addresses the problem of international relations ethos through the prism of the cognitive-semiotic approach. A definition of the symbolic ethos of international relations is proposed in comparison with the political ethos. The specificity of ethos — in comparison with habitus — is stated; the refraction of this discourse in the cinema space of […]
Melikyan M. A., Smirnov G. S. Noospherity: conceptual logic of the anthropological transitivity
The article considers the phenomenon of human quality in the context of global existential choice. The authors analyze anthropological transitivity through the prism of the «all-humanity» concept. The systemic nature of the logical-semantic paradigm as a methodological regulation of the philosophical foresight is revealed, its noospheric potential is shown. An anthropological dimension of the «allhumanty» […]
Prokhorov M. M. Russian cosmism, the noosphere concept аnd marxism
The article criticizes the widespread notion of Marxism as a philosophy of activism. A comparative analysis of Marxist philosophy and the philosophy of Russian cosmism is given. The latter, being an activist concept, is based on the opposition of activist and contemplative positions. The philosophy of Marxism is essentially a concept of co-evolution of the […]
Chugunova T. V. Spiritual and moral search of the Russian antiquity researchers of the second half of the 19th — the beginning of the 20th centuries
In the article the question of ways and spiritual and moral search of the Russian antiquity researchers using antique values and ideals, the assimilation of the most valuable in historical heritage is brought up. Their contribution in formation of highly moral and humane personality in gymnasiums and universities of Russia of the second half of […]
Tyulenev V. M. On the question of Vivarium's library
The article considers one of the first Late Antiquity attempts to create a monastic library — in Vivarium of Cassiodorus. The library of Vivarium is shown as the base of the theological school Cassiodorus tried to create in Italy, in the sixth century. The following issues are studied in the article: the sources of the […]
Okolotin V. S. The operations of OGPU organs aimed at the operational provision of the dispossession of „kulaks‟ in Ivanovo industrial region in 1930—1931
The article is devoted to the research of the participation of the plenipotentiary representation of OGPU in Ivanovo industrial region in the centralized operations aimed at the operational provision of the dispossession of the peasantry. The attention is paid to the mechanism of the implementation, the content of the directives and also the requirements of […]
Kovrov T. A., Kornikov A. A. Heraldic traditions of pre-revolutionary Russia in modern coats of arms of the subjects of the Russian Federation
The article is devoted to the study of heraldic traditions of pre-revolutionary Russia in modern coats of arms of the subjects of the Russian Federation. The article describes the process of creating coats of arms for different lands in modern Russia. Quantitative indicators of the approved coats of arms of subjects of the Russian Federation […]
Tsvetkov Yu. L. Integration and self-identification of Viennese modernism
Due to peculiarities of historical development and specific Austrian mentality the culture of Viennese modernism (1890—1910) has combined both integrative and disintegrative tendencies in the play field of interaction. Viennese literati and artists have created a deliberately conditional and play-like cultural potential enabling transformations of both man and the world. Self-identification of Viennese modernism has […]
Prokhorova T. G. Transformation of Marburg's image in B. Pasternak's autobiographical story “Safety Protection Certificate”
The article explores the principles of creating the image of Marburg in the autobiographical prose of B. Pasternak “Safety Protection Certificate” (1931), reveals the features of the artist's interpretation of real life impressions. The author of the article, relying theoretically on the work of the Bulgarian philosopher and aestheticist K. Goranov “Artistic image and its […]
Lakerbay D. L. On the terms “text” and “literary work”
The article considers an asymmetric pair of terms “text” and “work”, which can be in different relations to each other. At the same time, there is a correlation between the solution of the issue in the “text — literary work” and “text — discourse” pairs. The text as a total identifier of the Humanities and […]
Koptelova N. G. “Echoes” of “the puppet show” drama in Alexander Blok's lyrical cycle “Snow mask”
The article considers a special form of intermediality embodied in Blok’s creative thinking and genetically related to the intersection of lyric and theatricaldramatic principles in his poetry. The work emphasizes that one of the channels for introducing the “theatrical” code into Blok’s poetry follows the line of influence on it of dramas previously written by […]