Volskiy A.L. Goethe’s drama “Torquato Tasso” and the problem of creative imagination

The protagonist of the cultural discourse of German modernism is a creative person mythologized in the concept of genius. The theory of unconscious ingenious creativity forms the semantic center of modernist aesthetics and the aesthetical myth of German modernism. The source of ingenious poetry is creative imagination interpreted as a constructive principle of modernist literature. […]

Andreyanova E.E. The functioning of subject-spatial models in the book of poems by K. Korchagin “All things of the world”

The category of space, the focus on which was formed in the twentieth century, having pushed aside the previously dominant category of artistic time, is realized in a new way in innovative poetics through close interaction with the category of the subjective. Kirill Korchagin is a prominent representative of the younger generation of authors who […]

Kogalovskii S. R. Formal logic as a carrier of creativity

The article characterizes an approach to teaching mathematics, in which formal-logical means are the means of transforming the way of thinking of students and become the means of forming and developing their theoretical thinking. It is shown that, contrary to the well-known statement of Hadamard, the value of mathematical rigor is not only to legitimize […]

Kondorskii B. M. Russia as a state-oikumena

The article attempts to comprehend and lead to a certain system of Russia’s history based on the concept of oikumena as a system that has its own internal laws, as the unity of natural and social phenomena and processes. The specificity of the series of oikumena — tribal, trading, urban — which replaced each other […]