The article analyzes the main communicative models of the Belarusian auctorial narrative of the 20th century, determines the similarities and differences between the idiostyles of writers from different time periods based on the linguistic explication of subjective points of view. The novelty of the study lies in the expansion of the concept of dialogue at the level of implicit contacts not only between the narrator and the character, but also between the characters, the author and the narrator, the author and the reader. Invariant models are distinguished, which, through certain language markers, expand the communicative aspect of the externally objective author’s narration. Linguistic features of communicants of implicit dialogization are characterized. Its influence on the compositional structure of artistic discourse is determined in a dynamic aspect due to the means of lexical and grammatical levels. The use of the comparative-stylistic method of research made it possible to compare the idiostyles of different prose writers, highlighting the general and the particular. As a result of the analysis, it was possible to establish the language explicants of the key communicative models of the implicit dialogue, as well as their invariants. The considered invariants affect the internal development of one character from the past state to the present, as well as appeals to the reader, marked by linguistic means of a journalistic style and aimed at external dialogization. Such an approach to the study of a literary text deepens the understanding of the main aspects of communicative stylistics as one of the most promising areas of functional stylistics.
For citation:
Starostenko T.E. Implicit dialogization of the Belarusian auctorial nar-rative of the 20th century, Ivanovo State University Bulletin, Series: Humanities, 2022, iss. 3, pp. 73—79.