The subject of the research is the problem of the specifics of the Theodor Storm method. It remains relevant and represents the novelty associated with the ambiguity of his method, the use of romantic aesthetics and the combination of lyrical and epic characters in his works. The object was the romantic elements in the novel “Immensee”, the analysis of which makes it possible to clarify the relationship of various artistic systems of the writer. Using the conflict characteristic of romanticism between the hero “enthusiast” (Reinhard) and philistine (Erich), the author solves it in a realistic way. The study draws attention to the similarities and differences between Reinhard's character interpretation and the romantic concept. Reinhard's image shows such a vivid romantic trait as the pursuit of a dream. The character of the Reinhard boy includes the features of an old man, turning into the image of a wise child and transforming into the main type of romantic hero — a rebel hero. However, Reinhard is not an active rebel, his intentions find their expression only in words, and his aspirations do not develop into real actions. Thus, his heroism is expressed in longing for an unattainable and distant dream, which is a feature of romantic aesthetics. Various folklore motifs and allusions that are associated with the romantic tradition play an important role in the structure of the Immensee narrative. In general, the study indicates that in romantic literature, archetypal images and symbols of femininity play an important role in expressing ideals, motives and associations. Floral metaphors and fabulous mythological images of spinning help to create an atmosphere of magic, inaccessibility and mystery, which is typical for romanticism. These images and symbols serve not only a decorative function, but also help to reveal the deep psychological, spiritual and aesthetic aspects of literary works.
For citation: Kirdyanova E.R. Romantic Elements in T. Storm's novella “Immensee”, Bulletin of the Ivanovo State University. Series: Humanities, 2024, iss. 3, pp. 42—47