Volskiy A.L. Goethe’s drama “Torquato Tasso” and the problem of creative imagination

The protagonist of the cultural discourse of German modernism is a creative person mythologized in the concept of genius. The theory of unconscious ingenious creativity forms the semantic center of modernist aesthetics and the aesthetical myth of German modernism. The source of ingenious poetry is creative imagination interpreted as a constructive principle of modernist literature. […]

Andreyanova E.E. The functioning of subject-spatial models in the book of poems by K. Korchagin “All things of the world”

The category of space, the focus on which was formed in the twentieth century, having pushed aside the previously dominant category of artistic time, is realized in a new way in innovative poetics through close interaction with the category of the subjective. Kirill Korchagin is a prominent representative of the younger generation of authors who […]